ANDY
Pierre Paulin
Fabrics & Leather
# ZANA/FR
ALCANTARA - A
ASTRID
CHARTRES
CLOUD
DIOS
DIVA
DIVINA MD/FR
DIVINA MELANGE/FR
FILE
GALICE/FR
HARMONY
INDIANA
JOY/FR
KERALA
LUISA
MAPLE/FR
MORPH
NOMA
STEELCUT TRIO 3/FR
VIDAR/FR
VILO
# ZANA/FR
COTTON 70%
VISCOSE 30%
COTTON 70%
VISCOSE 30%
ALCANTARA - A
POLYESTER 68%
NON FIBROUS POLYURETHANE 32%
POLYESTER 68%
NON FIBROUS POLYURETHANE 32%
ASTRID
VISCOSE 57%
LINEN 24%
COTTON 19%
VISCOSE 57%
LINEN 24%
COTTON 19%
CHARTRES
ACRYLIC 100%
ACRYLIC 100%
CLOUD
ACRYLIC 56%
POLYESTER 44%
ACRYLIC 56%
POLYESTER 44%
DIOS
COTTON 40%
POLYESTER 25%
ACRYLIC 15%
VISCOSE 10%
WOOL 10%
COTTON 40%
POLYESTER 25%
ACRYLIC 15%
VISCOSE 10%
WOOL 10%
DIVA
CATTLE HIDE
COW FULL GRAIN PIGMENTED HIDE 100%
CATTLE HIDE
COW FULL GRAIN PIGMENTED HIDE 100%
DIVINA MD/FR
WOOL 100%
WOOL 100%
DIVINA MELANGE/FR
WOOL 100%
WOOL 100%
FILE
POLYESTER (TREVIRA CS) 100%
POLYESTER (TREVIRA CS) 100%
GALICE/FR
POLYESTER (TREVIRA CS) 100%
POLYESTER (TREVIRA CS) 100%
HARMONY
WOOL 85%
POLYAMID 15%
WOOL 85%
POLYAMID 15%
INDIANA
CATTLE HIDE
COW
EMBOSSED CORRECTED GRAIN PIGMENTED HIDE 0%
CATTLE HIDE
COW
EMBOSSED CORRECTED GRAIN PIGMENTED HIDE 0%
JOY/FR
ACRYLIC 48%
WOOL 24%
POLYESTER 12%
POLYAMID 10%
ACRYLIC 48%
WOOL 24%
POLYESTER 12%
POLYAMID 10%
KERALA
COTTON 50%
VISCOSE 35%
LINEN 15%
COTTON 50%
VISCOSE 35%
LINEN 15%
LUISA
ACRYLIC 35%
VISCOSE 30%
POLYESTER 15%
COTTON 10%
LINEN 10%
ACRYLIC 35%
VISCOSE 30%
POLYESTER 15%
COTTON 10%
LINEN 10%
MAPLE/FR
VISCOSE 81%
LINEN 15%
POLYESTER 4%
VISCOSE 81%
LINEN 15%
POLYESTER 4%
MORPH
WOOL 85%
POLYAMID 15%
WOOL 85%
POLYAMID 15%
NOMA
RECYCLED POLYESTER 100%
RECYCLED POLYESTER 100%
STEELCUT TRIO 3/FR
WOOL 90%
POLYAMID 10%
WOOL 90%
POLYAMID 10%
VIDAR/FR
WOOL 94%
NYLON 6%
WOOL 94%
NYLON 6%
VILO
VISCOSE 55%
COTTON 25%
LINEN 10%
POLYESTER 7%
ACRYLIC 3%
VISCOSE 55%
COTTON 25%
LINEN 10%
POLYESTER 7%
ACRYLIC 3%
Description
Andy seems set to be a great classic, bearing as it does the imprint of Pierre Paulin.
In 1962, reinterpreting Florence Knoll's settee from 1954, he softened all its contours, reducing the number of buttons to eliminate the severe squares of quilting and made the metal structure underlining the edges of its base disappear, retaining only the four legs : in short, he designed a new domestic settee, both sensual and refined. And as a precious refinement, he mounted the chromed steel legs inside the armrests both to the front and to the rear, a touch which was just as elegant when viewed from the front as from the rear: inserting the leg into the armrest necessitated more meticulous stitching and upholstery for a perfect finish.